20th and 21st century music characteristics

In a nutshell, the concept of minimalism was the polar opposite of the composers aspirations of the new complexity. However this view has been challenged with increasing regularity. The USA was now a force to be reckoned with in the world of classical composition for the first time, and a number of American composers looked towards the artform for inspiration, including Leonard Bernstein, Aaron Copland and George Gerswhin. PLAY. Handy took blues across the tracks and made it respectable, even "high-toned.". In one common technique, a microphone is used to record live music, and a program processes the music in real time and generates another layer of sound. Unlike the others, Akita never received formal classical training, and his enormous output takes the form not of scores but of studio and live recordings. Music also began to include completely new systems of tuning, where the division of the octave into 12 equal parts was superseded by microtonal options regularly, including quarter-tones and sixth-tones. Heavy metal is a form of music characterized by aggressive, driving rhythms and highly amplified distorted guitars, generally with grandiose lyrics and virtuosic instrumentation. The book is organized around an array of such forces: late-capitalist economics, the breakdown of genres, sexual liberation, globalization, the Internet, environmentalism, the traumas of war and terror. In the late nineteenth and early twentieth centuries, W.C. It has roots in West African cultural and musical expression, in African American music traditions, including blues and ragtime, and European military band music. . Melody Development Between two World Wars. Music of all kinds also became increasingly portable. A spectacular innovator, he wrote music for all kinds of settings, from the ballroom to the nightclub; the . Blues is a vocal and instrumental musical form which evolved from African American spirituals, shouts, work songs and chants and has its earliest stylistic roots in West Africa. Works within this genre tend to be predominantly peaceful in overall style but with an emphasis on energy and gentle vibrancy. Often this means that the performer gets to determine how part of the piece should be played, perhaps with a freely improvised section. Rutherford-Johnson is correct in asserting that market forces have led to an upsurge of euphonious, audience-friendly scores. We publish outstanding work in the fields of popular music studies and music sociology, ethnomusicology, media, sound art and film music studies and historical musicology and welcome submissions with a broad intellectual and disciplinary range. How would you describe the characteristics of 20th-century music? Composers tended to stick to these and lots of the music composed during that time had a similar sound. However, attempting to classify Rock and Roll as a single genre continues to be difficult as it can encompass a wide variety of musical forms. Likewise, electronic instruments and styles were incorporated into some classical pieces. At the same time, the Impressionist movement, spearheaded by Claude Debussy, was being developed in France. He also experimented with 12-tone music, which is based on a tone row made up of all 12 notes from the chromatic scale in a given order, with all 12 given more or less equal importance, and then manipulated in various structured ways. Modernist painters, writers, and filmmakers had a far easier time finding a wide audience than composers did. Polyrhythms (many rhythms) were a feature of some 20th Century compositions that generated such densely woven textures as to render the option to follow a melody or harmonic progression impossible. Explains that the 21st century is the time when pop music is popular. This music was generally more consonant-sounding and less overtly challenging than the modernist school, and composers like Phillip Glass and Steve Reich became incredibly popular: Musique concrete also utilised electronics. After the Second World War, prodigiously complex systems of organizing music spread to all corners of the globe: twelve-tone composition, its serialist variants, chance operations, and so on. While Stravinsky makes highly effective use of polyrhythms in his ballet The Rite of Spring, that is still texturally comprehensible. It can be as carefully crafted as a song by Queen, or an album produced by Phil Spector, or as straightforward as a three-chord composition by The Ramones, or as poetic as a song written by Bob Dylan. Hans Zimmer. Orchestral works by the French composers Maurice Ravel and Claude Debussy used timbre (more on timbre in music here), ambiguous tonality, and unusual scales to suggest color. This immediately dissolved the tonal system, and with it came a sound-world that pushed music into an increasingly dissonant existence. The internet has made music more accessible, making it easier for sub-genres to cross-pollinate and influence each other more easily. 1935 - Jazz singer Ella Fitzgerald starts her career with the Chick Webb orchestra. 9. Essentially, it was a form of Ragtime music, usually exchanged for banjo, brass band, and/or clarinet. Challenged by Jazz, classical music became a weapon of reaction, but also a vision of modernity. Rutherford-Johnson captures the effect: The way Ferneyhough deliberately overpacks his music with information, starting and restarting it every few seconds to create a perceptual overload, thwarts the memorys ability to create a meaningful structure. The 20th century was like no time period before it. Below, well take a look at some of these movements and the composers that lead the way in developing them. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. At a certain point, composers like Nico Muhly and Caroline Shaw and indie-pop groups like the National and Arcade Fire often seemed to be speaking the same half-bright, half-bittersweet language. Yet Rutherford-Johnson follows his analysis of Different Trains with discussions of very different works from the late eighties: Galina Ustvolskayas Sixth Piano Sonata, in which the performer bashes out hyper-dissonant cluster chords; Hildegard Westerkamps Kits Beach Soundwalk, a montage of sounds recorded near Vancouver, Canada; Merzbows Brain ForestFor Acoustic Metal Concrete, an onslaught of electronic noise; and Bright Shengs Hun, a brooding orchestral memorial to victims of the Chinese Cultural Revolution. These changes took distinct shape in the literature of the 20th century. CENTURY MULTIMEDIA FORMS. At the turn of the century, music was characteristically late Romantic in style. You'd be hard-pressed to find a notable franchise or series from the last few years that doesn't have Zimmer's fingerprints on it. 1 ARTS 13. identifies art elements in the technology-based production arts. Trevor Baa, one of Czernowins American students, says of his grittily evocative scores, I write because I feel an emotional compulsion to writeto give form to fantastic or impossible colors and shapes as sound and as pleasureand, yet, when I write, I am intensely aware of the fact that I am setting up and taking apart a code. Well take a look at impressionism, modernism and atonalism, electronic music and minimalism, and the influences that jazz and folk had upon classical music, as well the impact caused by war and political upheaval. Small wonder that Ferneyhough has been hugely influential among composers who have come of age since 1989. But did "generations" exist before that? Dr. ir. Bartok and Vaughn-Williams were two composers who spent significant time exploring and recording what can broadly be considered to be folk tunes from their respective countries. Others are praised for undertaking personal explorations of the expressive and formal limits of musical materials. Its not clear how one can decide from a distance what inner urges motivate any given composer. In a sort of parallel to this, Debussy and Ravel rejected the tension and release of traditional cadence-based harmony in favor of tonality that was often more static, remaining within a mode like the whole tone scale, for example, for extended periods. Visual artists also established impressionism and expressionism to new aesthetic parameters. Like my parents and grandparents, I grew up reading print newspapers and magazines, writing longhand or on a typewriter, listening to records, mailing letters, driving with maps. Rock and Roll has also had an effect on native musical forms, although many countries such as Germany, Japan and Canada all have their own thriving native rock and roll scenes that have often found an audience outside their home market. If the 90's were a decade when Generation X migrated from adolescents into adulthood, then the 2000's were a decade where this generation blossomed and began to truly influence the world. date: August 26, 2016. The more they reject the past, the more they pay tribute to it. Western classical music from prior to the twentieth century is arguably more popular now than it ever has been even as modern classical forms struggle to find an audience. Heavy metal is a development of blues, blues rock and rock. The 20th century was the first century of recorded music. These developments aligned with postmodern trends in other art forms: the return of ornament in architecture, of figuration in painting, of episodic narrative in fiction. Popular new age artists of the twentieth century include Suzanne Ciani, Enya, Yanni, Kitaro, George Winston (solo piano), and many more. For more examples see: List of 21st century classical composers. Many of the compositions that came from these composers are incredibly challenging to understand, although fascinating to see in a notated score. Conversations around the term often focus on either erasing or redrawing the boundary between the classical and the popular. Computer languages, Ong writes, "do not grow out of the unconscious but directly out of the consciousnessthe rules of grammar in natural languages are used first and can be abstracted from usage and stated explicitly in words only with difficulty and never completely." Twentieth century music brought new freedom, wide experimentation and development of advance technology with new musical styles and forms that changed the accepted rules of music of earlier periods. In some cases the line is difficult to draw between genres. Music After the Fall is the best extant map of our sonic shadowlands, and it has changed how I listen. CHARACTERISTICS OF 20th CENTURY MUSIC 2. listen perceptively to selected 20th century music 3. respect as they listen to the music of 20th century music 1. The origins and main characteristics of country music. We have learned about impressionism, modernism, minimalism and aleatory, and about how war, politics and technology influenced music, as composers tore up the rules that were established in previous centuries. While Stravinsky makes highly effective use of polyrhythms in his ballet the Rite of Spring, that is still comprehensible! This means that the 21st century is the time when pop music is popular composers are incredibly to! Classical music became a weapon of reaction, but also a vision of modernity century was like no time before... And rock in developing them composers who have come of age since 1989 a look at some these! Makes highly effective use of polyrhythms in his ballet the Rite of Spring, that is still texturally comprehensible a. 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